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Art Cube proudly presents “The Anthropometric Man”, the 11th solo exhibition of acclaimed multimedia artist Carlo Tanseco, opening on October 4, 2025 in Makati City. This highly anticipated exhibition unveils a bold new series that continues Tanseco’s ever-evolving exploration of form, design, and human expression.
In “The Anthropometric Man”, Tanseco draws from anthropometry—the scientific study of human body measurements, proportions, and composition. With his foundation in architecture, he elevates anthropometry from a technical discipline into a creative framework, embedding proportion and balance into his visual language.
For Tanseco, anthropometry is not just a subject—it represents a chapter in his own life. It was his very first introduction to architectural training, where the human figure is regarded as both the start and the ultimate end user of architecture and design. This grounding makes the study of proportion not merely technical, but deeply human, and central to his artistic journey.
In this new series, Tanseco revisits mythological figures such as Icarus and Narcissus—timeless archetypes of ambition, beauty, and downfall—embedding them within his language of proportion and layered patterns. Alongside these myths, he introduces the subject of Siargao, the island he loves and calls home, bringing its spirit and landscape into dialogue with the human form.
Artist Background & Previous Exhibits
Across his career, Tanseco’s exhibitions have reflected a deeply personal journey. His first solo exhibition, Juxtaposed: Between Order and Complexity (2021), introduced audiences to his hallmark style: meticulously ordered grids and symmetrical patterns disrupted by complexity.
Alias Elias (2021) and Panapanahon-Paraparaan (2022) reimagined José Rizal, one of his lifelong heroes, through symbols, portraits, and intimate retellings. He also presented Ex Libris (2022) an ode to his favorite cult classic novels.
He also staged Lupang Hinirang (2023), a show that reflected on Filipino identity and nationalism, where the Philippine anthem and its spirit became a lens to reexamine heritage, belonging, and the collective imagination.
His last two exhibitions—Canned Thoughts (2024) and Sari-Sari Sabi-Sabi (2025)—brought everyday Filipino icons into the gallery space. Using canned goods, snacks, and packaging as canvases, he turned the familiar into reflections of identity, memory, and humor.
Follow Carlo Tanseco Instagram @carlotanseco_art.