Some of the playwrights, directors, actors and musicians involved in "Tatlong Linggong Pag-ibig" during a press conference in Quezon City on October 12. In the front row are (from left) RJ Santillan, Hazel Gutierrez, Pertee Briñas, Pat Liwanag, and Roi Caliling. In the back row are (from left) Tuxqs Rutaquio, George de Jesus, Ejay Yatco, Carlo Vergara, Juan Miguel Severo, and Melvin Lee. (Photo: Alvin I. Dacanay)

Love’s trials, triumphs on display in ‘Tatlong Linggong Pag-ibig’

by Alvin I. Dacanay

Valentine’s Day may be three months away, but audienc­es can experience this month love as the ma­ny-splendored—and ma­ny-splintered—thing that it is with emerging theater com­pany Dalanghita Productions’ latest offering, Tatlong Ling­gong Pag-ibig (Three Weeks of Love), which opened at the Power Mac Center Spotlight in Circuit Makati on No­vember 11 and will run every weekend until November 27.

Tatlong Linggong Pag-ibig features six one-act plays writ­ten and directed by some of the most lauded theater prac­titioners in the country today. Three of these are straight plays: Rom.Com, penned and helmed by Palanca award-win­ner George de Jesus III, about the fantasies, ideologies and realities of love that involve a hopeless romantic wedding planner and a cynical graphic artist; Carlo Vergara’s Mula sa Kulimliman, a comedy direct­ed by Hazel Gutierrez that was originally staged at this year’s Virgin Labfest, about a housewife whose life and love for her husband are shaken by the revelation of her hus­band’s true occupation; and prize-winning filmmaker Chris Martinez’s Malapit Man, Malayo Rin, helmed by Melvin Lee and first staged at the Phil­ippine Educational Theater Association in 2014, about a couple living at opposite ends of Metro Manila (he resides in Valenzuela City; she, in Las Piñas City) whose relationship risks facing its end because of, of all things, the metropolis’ in­fernal traffic.

The rest of the plays in the production are musi­cals: Dalanghita Productions co-founder Pertee Briñas’ Isanlinbong Taon, directed by Palanca prize-winner Guelan Luarca and music by Ejay Yatco, about a man named Philip who returns to Palawan, two years after pur­suing a better life in Manila, to reunite with his beloved; Palanca award-win­ner Layeta Bucoy’s Corazon Negro, helmed by longtime collaborator Tuxqs Rutaquio and music by Joed Balsamo, about a Filipino teacher during the Spanish colonial era who falls in love with a gravedigger, who is in love with another woman; and popular spoken-word artist Juan Miguel Severo’s Ang Una at Comeback Album in Pete, directed by Mara Pauli­na Marasigan and the songs composed by Severo himself, about a former child star who attempts to stage a comeback with a concept album that he wrote.

The actors bringing these six plays to life are Jett Pangan, Sarah Facuri, Mayen Estañe­ro, Jonathan Tadioan, Timothy Castillo, Roi Calilong, Pat Liwanag, RJ Santillan, Al Gatmaitan, Natasha Cabrera, Bym Buhain, Sari Estrada, and Andrea Tatad.

The plays are divided into two sets, and tickets for each set cost P1,200 (VIP) and P1,000 (regular) each. Shows start at 8 p.m. on Fridays, 3 and 8 p.m. on Saturdays, and 3 p.m. on Sundays.

For tickets, call Ticketworld at (632) 891-9999 or visit www.ticketworld.com.ph. For more infor­mation about Tatlong Linggong Pag-ibig, visit www.facebook.com/DalanghitaProductions.

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